If you choose to do this, when you log in to your YGG account using social media login credentials for the first time, you will be asked whether you agree that the social media provider may provide certain information to YGG, such as your name, email address, profile photo, posts, comments and other information associated with your social media account.Īll this information is made available to YGG by the social media provider due to the way the social sign-on configuration works, but of this information, YGG only retains and uses your email address. You may have the option to log in to your YGG account using your social media login credentials (e.g., your Facebook login credentials). When you log in to your YGG account with social media credentials We use your name to help verify your account when you contact customer support. Your YGG account will be password protected. You will use your email address or username and your password to login to your account. When you create an account on a YGG website or mobile app, we ask you to provide Personal Information, including your name and email address. When we combine other information (i.e., information that does not, on its own, identify an individual or household) with Personal Information, we treat the combined information as Personal Information. "Personal Information" is information that identifies, relates to, describes, is capable of being associated with, or could reasonably be linked, directly or indirectly, with a particular individual or household. Ways YGG Collects and Uses Personal Information If a YGG website, app, or product links to a different privacy policy, then that privacy policy will apply to your use of that site, app, or product. ![]() This Privacy Policy applies to all YGG-branded, owned, and operated websites, applications (âappsâ) and products on which this Privacy Policy is shown. We developed this Privacy Policy so you know how we collect, use, share, and store your personal information. and its family of brands, which includes Yamaha, Line 6, and Ampeg (âYGGâ). Your privacy is important to Yamaha Guitar Group, Inc. Robben Ford, John Mayer, Steve Kimock, Ben Harperĭumble, Overdrive Special, Grind, Transparent, Responsive ![]() Start with neck pickup with volume rolled back a good ways, middle pickup with a little volume and tone roll-off, or the "woman tone" bridge pickup with a substantially cut tone control. This is a very dynamic and flexible patch that runs 2 amps (Bassmann + Matchless DC30 Ch2) into 2 cabs (4x12 G25 and a 1x15). Top row of footswitches are for "amp control" functions: "Gain Boost" for the grind sound, "Fuzzy" gives you bottom-end grit, "Mid Boost" does just that (you can adjust the +dB to taste), "Deluxe Comp" compresses the higher tones, and "'63 Spring" adds verb before the cabs.īottom row adds a TS808 front-of-amp, a little slap delay, a room ambiance, and a simple delay. Use the last EQ to match for your output (hi/low cut, etc.) Use the 1st EQ to adjust for your guitar. Use your volume and tone knobs to dial in shimmery cleans to responsive grind, to gritty & fuzzy dirt to violin-like solos. That said, this patch is inspired by some of the sounds found in the great ODS. Pass for files is "leadguitar.mx" with no quotes. Orange: OwnHammer - 4x12 ORNG H75-BB1 Cab SimĮNGL: Kristian Kohle DV-77 (Mick's signature) IR Pack The IRs I usually use instead of the Cabs are: The MIC In lane with reverb and exit to send 3/4 is in order to take a monitoring XLR line from FOH and take it to my IEM system via Send 3. The Send 1 in the 1st lane is to plug the Helix to a stage amp straight into it's Power Stage In (or FOA), bypasing the Cab/IR, I use a Boss Katana Artist MKII outputing the Orange's sound, which is my to-go mono sound. Controled with EXP2 and activated via EXP Toe. WAH is calibrated to get a combined sound (different settins in both lanes) to emulate Kirk Hammet's Dunlop KH95 WAH. ![]() Volume blocks were removed from original preset, EXP1 controls volume by reducing output blocks' level. Pitch pedal reduces the tuning half tone down (E to Eb) (Adjust at taste). (I recently reduced it to 10ms in my Helix). There's a delay of 30ms in the ENGL lane in order to make the stereo more pronounced. No EQ blocks, any EQing you may need could be done from Global EQ. Left channel is intended for Jim Root's sound with Mandarine Rocker Amp+Cab, right channel for Mick Thompson with an ENGL Fireball (EQd to emulate his Omega Amp), Both use an 808 as a booster in FOA and optional Reverb block to use as per your needs. ***Re-Upload****This is my stereo preset I use for my band Laberinto De Reyes It is based on my Amplitube 5 preset intended to emulate modern Slipknot's sound.
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